Lessons
I really really like this sequence. With all the running around and cosmic happenings in act two, it always felt very refreshing to have a more intimate and slower paced scene here. We kept the enclosed stairwell lit with a refreshing skylight above, and as Connie starts playing, there is a little bit more warmth coming through, almost like a cloud finished passing by. I love that in this scene we first start seeing what the message of the film really is.
For the final shot, I tried to keep 22 (in Joe's body) as a low contrast silhouette against the lighter background, with the hopes of communicating her/his internal struggle through body language.